The place where the words are

Tag: blo g

Free Inquiry Conclusion

In the final video from the free inquiry process, I go through nearly everything that a new video editor would want to know, from how to set up their space and what equipment to use, to the steps required to create a few of the more common and versatile effects. Over the course of this video, I hope to make the learning I’ve achieved in this course clear, and to pass some of it on to you.

Reference Materials:
Kdenlive installation: https://kdenlive.org/en
OBS installation: https://obsproject.com/
Blender installation: https://www.blender.org/
Kdenlive documentation: https://docs.kdenlive.org/en/
Blender documentation: https://docs.blender.org/manual/en

Music Attribution:
sleepwalking by airtone (c) copyright 2022 Licensed under a Creative Commons Attribution (3.0) license. https://dig.ccmixter.org/files/airtone/65416 
reNovation by airtone (c) copyright 2019 Licensed under a Creative Commons Attribution (3.0) license. https://dig.ccmixter.org/files/airtone/60674 
shimmer by airtone (c) copyright 2022 Licensed under a Creative Commons Attribution (3.0) license. https://dig.ccmixter.org/files/airtone/64622 
Between Worlds (Instrumental) by Aussens@iter (c) copyright 2017 Licensed under a Creative Commons Attribution (3.0) license. https://dig.ccmixter.org/files/tobias_weber/56664 Ft: (Smiling Cynic)
https://pixabay.com/music/ambient-lost-in-reverie-ambient-286550/

Sound Effect Attribution:
https://pixabay.com/sound-effects/boom-2e-spooky-237006/
https://pixabay.com/sound-effects/deep-metal-clang-87901/
https://pixabay.com/sound-effects/fast-whoosh-118248/
https://pixabay.com/sound-effects/power-down-89297/
https://pixabay.com/sound-effects/large-ball-bounce-104128/
https://pixabay.com/sound-effects/microwave-oven-32489/
https://pixabay.com/sound-effects/whoosh-motion-243505/
https://pixabay.com/sound-effects/spawn-sound-43782/
https://pixabay.com/sound-effects/plate-topple-spin-102028/
https://pixabay.com/sound-effects/appearance-effect-6733/
https://pixabay.com/sound-effects/chopping-lettuce-34670/
https://pixabay.com/sound-effects/computer-mouse-click-double-click-and-triple-click-140106/
https://pixabay.com/sound-effects/ding-small-bell-sfx-233008/
https://pixabay.com/sound-effects/screech-01-brvhrtz-237515/

Free Inquiry Post 3

In this video, I go through the process of creating and editing footage, in addition to learning about several different effects. I also debut an iconic channel intro video.

Reference Links:
Kdenlive installation: https://kdenlive.org/en
OBS installation: https://obsproject.com/
Blender installation: https://www.blender.org/
Kdenlive documentation: https://docs.kdenlive.org/en/
Blender documentation: https://docs.blender.org/manual/en

Asset Links:
https://pixabay.com/sound-effects/swoosh-3-234131/
https://pixabay.com/videos/neon-lights-alien-sci-fi-motion-79230/
https://pixabay.com/music/future-bass-hyper-reality-hyper-pop-191163/

Annotation

(This post is better with annotations enabled, use hypothes.is for the best viewing experience)

Annotation in online spaces is an interesting concept, but I’ll admit that I don’t see a large amount of practicality. For note taking, while having quick notes on a website itself is useful, having to navigate around to look at them reduces their effectiveness as an actual note taking method, in my opinion, making it a good choice for a review of some online content, but not necessarily for gathering information.

Additionally, the menu for viewing your own annotations doesn’t actually show the annotations themselves, meaning you do have to be on a page for this to be usable.

This only reduces the notetaking potential, though, so there is still use for reviewing content or sharing information with others. To test this, I visited the website formerly known as Twitter, to gather information about what was annotated. I was disappointed to see that there was exactly one annotation on the main page, reading simply, “the best social media site on the internet.”

This pattern was not changed when I opened a post by Elon Musk, on the front page. I had assumed that since the main page was largely automatically generated at the time of opening the website, there would be very little to annotate, which would explain the lack of annotation. This however, did not account for the lack of annotation on individual posts. On this tweet by Elon musk, which is primed for someone to comment on its veracity, there are no comments at all, despite the fact that it was one of the first ones which were show upon opening the site.

For this reason, I give hypothes.is a 6/10. A solid software for personal review, but perhaps not world changing. I am uncertain how well it works for collaborative efforts.

Copyright, Intellectual Property, and the Creative Commons

A photo chosen at random from the Wikimedia Commons, originally taken by user Hubertl

Copyright law is a long and complicated topic, just like any other law. But unlike some other laws, it is extremely easy to break it without meaning to. This post will largely be a breakdown of several relevant copyright types which you might encounter on your long trek through the arid wasteland we call the Internet.

In general, most material that exists come with the standard “don’t touch me” type of copyright. This includes anything which costs money (with a few bizzare exceptions), most works of art (when not posted on social media platforms with copyright circumvention clauses), and, in fact, essentially everything, unless stated otherwise. Usually this comes with a warning label such as “all rights reserved,” but the absence of any label doesn’t imply the absence of any threat. These works can still be used, in some cases, defined in part III of the Canadian Copyright Act. These cases being: research, private study, education, parody or satire, criticism, and news reporting. Even in those cases, be sure to only use the minimum amount required, and give a proper citation.

Apart from those earlier materials, though, there are some that use the Creative Commons or other similar licensing strategies. These licenses are used to give other people more rights in terms of using works, with the exact degree of use being decided by which creative commons license is used. These vary from allowing free use for whatever purpose a user wishes, to only being able to freely view something. There are other similar licenses, such as the GNU public license, which is commonly used for software.

The distinction is important when using online and offline materials, since other people’s work should be respected, in addition to the fact that misuse can have negative effects ranging from a moderate inconvenience to losing a substantial amount of money. Overall, copyright serves the valuable purpose of protecting our work from use by bad actors who would use it in ways which we don’t want, and the option to give options on how exactly something can be used is a great benefit to the world at large.

© 2025 Blo g

Theme by Anders NorenUp ↑